Also, in case of any problem where all the values of the trapezoidal prism are given in different units, remember to convert them to a unit that you are comfortable with before proceeding with the calculations. Thus, the volume of the prism is 268 cubic centimeters (cc).Īlways remember to use the right units when you find the volume, as sometimes instead of centimeters, even inches and millimeters can be used for expressing the given data. Find the volume of this geometric structure.Īs the actual height is not given, we have to use equation no. The volume of a triangular prism can be found by the formula: volume1/2lengthwidthheight. The top width is 6 cm, and slant height is 2 cm. Example #2Ī trapezoidal prism has a length of 5 cm and bottom width of 11 cm. Thus, the volume of the prism is 70 cubic centimeters (cc). A prism is a solid object which has identical bases, flat rectangular side faces, and the same cross-section all along its length. The volume of a triangular prism is the space occupied by it from all three dimensions. 1, i.e., the first formula, the expression can be written as: Volume of Triangular Prism Calculator’ is an online tool that helps to calculate the volume of a triangular prism. The top and bottom widths are 3 and 2 centimeters respectively. Volume of a Triangular Prism For a prism which has triangle shaped ends, we need to first find the area of the triangle using A 1/2 x base x height of triangle. Calculate the volume of a trapezoidal prism having a length of 7 centimeters and a height of 4 centimeters.
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Operator Restriction Policies allow admins to disable the ability to enable or disable curtain mode. Open the following policy set: Operator Restriction Policies, and select the Remote Control category. Setting Restrictions on the Curtain Mode Feature To configure a custom logo, open the following policy set: Client-Side Logo Customization
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contribs) This user has contributed to the article.Īnyone know if any subscriberd went down to the sites? If not, why not? Wasnt red lagoon just few years later mostly just nude sites as well or at least some of them? Yet they got a bunch of people in the usa at least plus to the naturalist nude stuff people in usa were charged same as like ahrdcore amterial.Relevant policies and guidelines may include conflict of interest, autobiography, and neutral point of view. The following Wikipedia contributor has declared a personal or professional connection to the subject of this article. This article was nominated for deletion on February 4 2006. Pedophilia Article Watch Wikipedia:WikiProject Pedophilia Article Watch Template:WikiProject Pedophilia Article Watch Pedophilia Article Watch articles If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. This redirect is within the scope of WikiProject Pedophilia Article Watch, a collaborative effort to improve the coverage of articles related to pedophilia on Wikipedia. This redirect has been rated as Low-importance on the project's importance scale. This redirect does not require a rating on the project's quality scale. Pornography Wikipedia:WikiProject Pornography Template:WikiProject Pornography Pornography articles This redirect is within the scope of WikiProject Pornography, a collaborative effort to improve the coverage of pornography-related topics on Wikipedia. Notes: Create the tunnel group and assign its attributesĪSA(config)# tunnel-group TG_EasyVPN type remote-accessĪSA(config)# tunnel-group TG_EasyVPN general-attributesĪSA(config-tunnel-general)# default-group-policy GP_EasyVPNĪSA(config-tunnel-general)# tunnel-group TG_EasyVPN ipsec-attributesĪSA(config-tunnel-ipsec)# pre-shared-key Notes: Create the iskamp policy to be used during phase 1ĪSA(config-isakmp-policy)# authentication pre-shareĪSA(config-isakmp-policy)# encryption 3desĪSA(config-isakmp-policy)# lifetime 86400 Notes: Create the crypto map and dynamic map then apply it to the outside interfaceĪSA(config)# crypto dynamic-map DM_EasyVPN 5 set transform-set TS_EasyVPNĪSA(config)# crypto map CM_EasyVPN 60 ipsec-isakmp dynamic DM_EasyVPNĪSA(config)# crypto map OutsideMap 60 ipsec-isakmp dynamic DM_EasyVPNĪSA(config)# crypto map OutsideMap interface outsideĪSA(config)# crypto isakmp enable outside Notes: Create the transform set to use during phase 2ĪSA(config)# crypto ipsec transform-set TS_EasyVPN esp-3des esp-sha-hmac Notes: Create a username to use during authenticationĪSA(config)# username ezvpn password ezvpn Here we specify network extension mode with the ‘nem’ enable commandĪSA(config)# group-policy GP_EasyVPN internalĪSA(config)# group-policy GP_EasyVPN attributesĪSA(config-group-policy)# password-storage enableĪSA(config-group-policy)# split-tunnel-policy tunnelspecifiedĪSA(config-group-policy)# split-tunnel-network-list value EasyVPN The group policy is where we define the mode. Notes: Create the group policy for the connection. Notes: Apply the no nat ACL to nat if you havent done so alreadyĪSA(config)# nat (inside) 0 access-list nonat Assuming we have two networks we want access to, a phone and data network Nothing new here.ĪSA(config)# access-list EasyVPN extended permit ip ĪSA(config)# access-list nonat extended permit ip Notes: Define the ACLs’ for no nat and for the crypto map. Text in blue are variable names I made up, feel free to change them Insert your relevant information between I’m assuming that you have a working production device in operation at both the client and the headend location prior to beginning configuration. In this scenario we are using a ASA5500 series firewall for the headend, and a 800 series router as the remote device. There are a few differences and we’ll point those out as we move through the configuration. Configuring the headend is almost identical to configuring a standard IPSec client VPN solution. You’ll need to ensure, of course, that the DHCP scope on the router has the 150 option set so that the phone can find the TFTP server but other than that, it should be very transparent to the user. All you have to do is configure a router and send it home with the user and their desk phone. Rather than terminating the VPN locally on a users laptop, why not terminate it on a piece of hardware that can support multiple devices? EasyVPN also supports split tunneling, which should be a consideration in any VPN solution. I like to think of EasyVPN as simply a hardware client VPN solution. However, let’s say in this instance they happen to have a pile of older Cisco 800 series router sitting around and don’t feel like upgrading their ASA license for phone proxy. In most scenarios like this I’d recommend Cisco phone-proxy and some sort of software client VPN solution. The client has a Cisco VOIP solution in house at their corporate office and they’d like to have all of their remote users have a desk phone and LAN access at their respective locations. Let’s say that you have a client who has remote users spread across the US. Let’s look at a ‘real-world’ example to solidify the point. In other words, EasyVPN certainly has its place in today’s networks. Remote node configuration is for the most part handled through a mode configuration type policy push from the headend In Client mode (also called NAT mode) all traffic is hidden behind a NAT. Network extension mode presents a full routable network to the tunnel for connectivity back to the headend. The configuration can act in Network extension or Client mode. The remote site does NOT need to have a statically assigned IP address on its external interface EasyVPN can be used to create IPSec VPN tunnels between a ‘headend’ and ‘remote’ location Here are the main points that I came out with. A couple of months ago when I was studying for my ISCW exam I came across a chapter for EasyVPN. Until recently I hadn’t fully understood what its uses were. The overlooking part most likely came from my lack of understanding. Cisco EasyVPN is a solution that I, for the most part, have totally overlooked when designing VPN solutions. I was happy and inspired to discover that there were other StarCraft fans across the world creating absolutely amazing fan art, but of course we were all working from our imaginations of what those tiny pixelated sprites might look like, so every single person was drawing every unit completely differently! For one person an Ultralisk might look like a beetle the size of a car, for another it could be a towering tripod the size of a building. And of course every good dinosaur book has a big emphasis on the biggest and smallest dinosaurs, with diagrams comparing them to people or elephants or whales or whatever. Then across every piece of Star Wars media, from the movies to video games and fan films, there was this strong sense of canonical visual consistency. With Star Wars they did a great job of putting out books with all of these schematics and bits of information (including the sizes!) of every ship and alien creature you could think of. What inspired the notion of “Units to Scale” for StarCraft?īeing a big fan of Star Wars and dinosaurs as a little kid has to be the original root of it. I stopped for a long time in the middle though, and it wasn’t until years later that I realized communities of fans were still going strong online, and I went back to doodling StarCraft units in school. I still have a few Zerglings from then too, as Zerg designs were my favorite. Right away! The oldest set of StarCraft drawings I still have are a couple pages of (very very crude) designs for a 4th race from around 15 years ago, complete with a tech tree and mock-screenshots. When did you first begin creating art for StarCraft? It only took a couple of games to get hooked, everything about the setting and visuals were basically the coolest thing I had ever seen at the time. I should thank my older brother’s elementary school friends for introducing it to him! And then for wanting to play it against me. What got you into StarCraft in the first place? His passion and dedication to this type of work was exceptional, and so we took a few minutes to ask some questions about his past, and what we might see from him in the future. We had a fantastic experience working with Robert and including his vision of units to scale in the Field Manual. We finally asked ourselves: why don’t we just ask him if he’d like to participate in the book instead? When we began working on this book we knew we wanted a section featuring scale charts for units, and often referenced his fan art as an example of what we wanted to do. Robert has been creating StarCraft fan art for years highlighting the relative size of various vehicles and creatures. When we started production of this manual we reached out to a certain individual that many of you might be quite familiar with: Robert 'Xiaorobear' Rose the creator of the well-known “StarCraft to Scale” image series In addition to all the documented segments, the StarCraft II: Field Manual is filled with delightful commentaries and musings from Dominion Marine recruits of the past. Variants (Including historically significant units).The Field Manual provides you with the Dominion’s latest declassified intelligence on the many units and structures you can expect to encounter in the Koprulu sector. From the rugged Terran SCVs, to Zerg Hives or grand Protoss Arkships, the Field Manual will allow you to explore the realm of StarCraft II unlike ever before. Filled with over 120 pages of original art, and chock-full of comprehensive detail on the units you know and love (or hate!), flipping through the Field Manual is an immersive experience that will take you to the far corners of the StarCraft II universe. The StarCraft II: Field Manual will provide you with an in-depth view of the threats and hazards of this far-flung region of the galaxy.įor years, we’ve been developing the ultimate compendium of all things related to StarCraft, and now – that reference guide has arrived. While the StarCraft II: Legacy of the Void Campaign will take you on an epic journey across the Koprulu sector, every recruit has got to start somewhere. Reading it, that's exactly what it does, it converts audio to midi so you can edit it. There's new post on this with a link to the product description. How many times have people asked why can't a Real Track follow your own entered melody or solo or whatever? Apparently using Melodyne you can. You can edit a real midi, that's the whole point. FWIWīut Bob, why would you want to input a generated RT into Meldoyne and convert it into MIDI? Of course, you can do that but I don't see the point as the MIDI notes for the RT are a notation of what the RT is playing and has no control over it, If you change the MIDI notation for an RT you will NOT change the RT being played.īecause, what we have now is not really midi, just notation. Even, though I know next to nothing about chord progression, this actually makes sense to me. I did read though that BIAB may not be able to identify and place chords base upon just a simple single note melody line because it doesn't provide sufficient info. In that case I usually just end up using a simple 3 note chord that barely works. Sometimes, the pgm will tell me that there are no other chord alternatives when it just doesn't sound "right" to me (or my wife who plays the flute and piano). That's when I go to the alternative chord choice suggestions in BIAB. It may very well be the "correct" chord choice by BIAB and still not sound like it "fits" to me. Due to my lack of knowledge, I can only listen to a particular chord and hear if it sounds "right" to me. Still, I am very interesting in the OP's question. Then there are novice, rookie, amateurs like me who are not even smart enough to ask a question in this area. I can see that it must take a lot of education, experience, and time to just scratch the surface of this area in music. The number of alternatives is incredible. Whew! Aside from everything else, my head is spinning from reading about all the chord progression stuff. But Bob, why would you want to input a generated RT into Meldoyne and convert it into MIDI? Of course, you can do that but I don't see the point as the MIDI notes for the RT are a notation of what the RT is playing and has no control over it, If you change the MIDI notation for an RT you will NOT change the RT being played. It is an excellent programme, albeit very expensive). I originally got a hold of it when I wanted the facility to sing a melody line into my computer and have it turn the notes into MIDI (so that I could use the Auto-Harmonist feature in BIAB). Third, as to Melodyne, I have this (though I only use it for pitch correction). It works with all the PG styles you already have and is not expensive at around $20. The primary function of this software is to generate arrangements based on a monophonic audio input (such as the human voice). However, there is a 'sister' programme developed by Microsoft, in conjunction with PG Music, called 'SongSmith'. That stated, I do find it helpful in its Re-Harmonist format when I want to change some chords somewhere and want substitutes suggested. Second, concerning the Auto-Harmonist feature - I have not found this to be one of the strongest feautures of BIAB, particularly as it cannot work with audio but needs MIDI to function. Can Melodyne extract and separate a recorded drum kit and convert the hits to midi?įirst of all, TTK, welcome to the forum. Can I put that RT file that I created in Biab into Melodyne, extract the notes from the original chord, convert to midi and change them? Same thing with a stereo Real Drum track. So, say at bar 8 I would like that RT to use an exact chord and maybe a couple of chops for ryhthm. It sounds great but as we've all said many times, it's generic, you can't make a RT follow an exact arrangement. That was amazing to me but apparently, that mult-part function is not yet available? From what I've gleaned from a few posts including yours, it does work with a single instrument? My question is can be used with these Real Tracks or Real Drums to modify an existing audio file? Example, I use a strumming guitar Real Track. That video showed them taking a 5 piece jazz combo, extracting just the guitar part, converting it to midi and then changing the part. A few years ago I saw a video of them demo'ing it at one of the NAMM shows. For me, I didn't get any good New Years gig offers so we are going to see Big Bad Voodoo Daddy at the Disney Concert Hall and that should be an awesome show. I sincerely hope you had a nice Christmas with your family and are looking forward to a good new year. This is in fact one of the very best musician forums around and I want to welcome you here. Like Mac said earlier, it's very difficult to attempt to tell sometimes exactly what someone means in an internet forum and whatever it is, I've rubbed you the wrong way. “Pouncing Coyote,” made using watercolor paper, ink pen, graphite, gelly roll pen, ebony pencil and watercolor, by Bettina Reiser. Our members share their valuable time, support and artistic knowledge with other artists by volunteering, giving talks and doing painting demonstrations.”įriday’s opening reception will take place from 5-8 p.m. “The most rewarding thing about leading this group of amazing artists is how generous every person is. “When I heard that Susan Steven was retiring, I felt it was an excellent opportunity to rejoin the Guild and continue our long legacy of supporting artists in the Longmont area,” Rumley said. With the support and encouragement of members, she was inspired to become president when the position opened. Rumley served on LAG’s board from 2016-2020. “Anyone visiting the show can find anything from traditional landscape paintings to art created with recycled materials.” “Emergence,” an oil painting by Jill Rumley. “We have 24 artists participating in the show with a diverse art offering,” said artist Jill Rumley, who recently took on the role of LAG’s president. “View From the Train,” a pastel on paper work, by Jill Rumley. 5, it’s an ideal spot to do some early holiday shopping. With an array of work by over 20 creatives on display through Nov. Longmont Artists’ Guild’s Autumn Art Show and Sale, at The Great Frame Up, opens Friday. In natural color, which means we have not dyed the color of the hair, you can dye them any colors you want. If you want to dye the color of the light yaki clip ins, you can email us at we can customize one bundle comes in natural color specially for you. And at this time, we do not offer custom coloring services. Our light yaki clip ins have 3 color options, which means they have been dyed using permanent dyes, the color can hardly been bleached/ lightened. I'm interested in purchasing better length light Yaki clip ins and was wondering if custom color is an option. The shortest length we sell on our website is 14”, if you prefer longer length, feel free to email us at we can customize for you as well.Ĭan the light yaki clip ins be straightened and curled? A: Would you be able to make light yaki clip ins in 12”? A: The longest length we sell on our website is 20”, if you prefer longer length, feel free to email us at we can customize for you as well. More Questions? Email us at you be able to make the length of the light yaki clip ins longer than 20”? A: So please proceed with our coarse yaki texture. Because if you tried to straighten your hair to blend will require extensive heat that will result in heat damage and possible breakage. If you have natural kinky curly hair, this light yaki texture will not been recommended. If you want to bleach/lighten them, you can contact us to customize natural color for you. No,they come in color options which means the color of them have been dyed using permanent dyes, the color can hardly been bleached/lightened. If your hair is naturally straight or you can get it straight with a flat iron then this texture will be perfect for you too. Our Light yaki Texture can blend well with those who have fine permed/relaxed hair. They look like very straight and flowy, but not silky.ĬAN LIGHT YAKI TEXTURE BLEND WITH MY HAIR? (1 x 9.5" weft | 2 x 8" wefts | 2 x 5.5" wefts | 2 x 4" wefts) HAIR LENGTH AND HAIR WEIGHT (weighed before clips are applied): 14"/140g, 16"/160g, 18"/160g, 20"/160gįAQS OF LIGHT YAKI TEXTURE WHAT DOES THE LIGHT YAKI TEXTURE LOOK LIKE? It is designed to blend with fine permed/relaxed hair. Our light yaki is a very soft and sleek straight texture. 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